Silvana's Biog.
Silvana was born in Syracuse, Sicily to Sicilian parents. At the age of six Silvana, and family, none of them speaking one word of English, set off to live in Australia.
They settled in Melbourne, where Silvana grew
up and was educated. She completed her Higher School Certificate in English,
English Literature, Eighteenth Century European History, Human Development
& Society and General Maths. The
following year she was accepted at Victoria
College Rusden, enrolling in Drama,
Media Studies and English. At the same time Silvana
became a member of St Martins Theatre
in South Yarra. There she was cast in her first semi-professional production, "Runaways" directed by Malcolm Robertson.
At St
Martins she undertook many workshops in voice, acting, text and movement, as well as performing in various productions, from Shakespeare to a newly composed
"techno pop opera" called Cosme.
Along with her acting, Silvana also pursued
her singing, and was Lead Singer
with various bands. Her vocal styles ranging from contemporary to jazz, soul, blues, rock and funk. She also
developed a strong harmony ability.
Her main Singing and Voice Training was with Will Conyers (who was a student of Graham Clarke) who taught her
the Bel Canto technique.
Silvana worked with many theatre companies in
Melbourne, and played a variety of roles, as diverse as Marco Polo to The Giant’s
Wife, from the Figurehead of a Ship
to a Femme Fatale.
Silvana decided to consolidate various aspects
of her work and abilities gained thus far by applying for a place at the John Bolton Theatre School in
Melbourne. John had been a teacher at the Victorian
College of the Arts in Melbourne.
Seeing a need to expand certain aspects of actor training, John founded
his own theatre school, which very quickly became highly respected and
regarded, and much sought after course. Silvana was accepted into the yearlong
intensive course and successfully completed all aspects of the work, which
included script work, character work, mask work, music,
improvisation and creating and
devising pieces for presentation.
About this time Silvana joined the Flying Pig Theatre Company, which
presented regular improvised Theatresports
shows and seasons. She took part in various workshops with other company
members-who included Siobhan Tuke, Geoff Paine, Russell Fletcher, Christine
Keogh-and became a regular performer with the company, performing in a
number of their shows, including the Classic Cup and Christmas seasons.
Silvana also co-founded two theatre companies
in Australia. Firstly, Princeless
Productions, in which she was a performer and writer. Princeless produced two very successful Children’s shows,
“Jack
and the Beanstalk”, and “The Owl and the Pussycat Meet Long John Silver”. She was also the
co-founder of POWOW Theatre, a company
that came out of the graduates of the John Bolton Theatre School, and quickly
gained critical attention after their first production of
“See
Saw”.
Inspired by the work covered and learnt at the
John Bolton Theatre School, Silvana
decided to travel to London to study with Phillipe
Gaulier. Phillipe had been one of the main sources of inspiration for John
Bolton, as John had been a student of Phillipe’s at Le Coq in Paris.
Silvana then decided to move to London, and
has since performed in various shows and short films.
From August 2000 to September 2002, she played
the role of Nemisia, The Gypsy Queen,
the Lead Female Singing/Acting role
with the “Circus of Horrors”. She
took part in two theatre tours with the Company and performed at venues such as
the Lowry in Manchester, Marlowe Theatre
in Canterbury, The Brighton Centre
and the Dartford Orchard Theatre.
Highlights also included a four week season at the Roundhouse Camden and a tour of Holland, performing at the Amsterdam Heineken Music Hall and Arnham Rijnhal.
Her third and final season with the show was a
five week run that played to sold out houses at The Stockton Riverside Festival, and The Edinburgh Festival, where it received 4 and 5 stars from
The
Scotsman and The
Edinburgh Evening News respectively.
Since then Silvana has taken part in various
workshops at The Actors Centre London,
working with tutors such as Gillian
Hawser, Harry Burton, Edward Kemp
and Christiane Hille.
In January she played many transformed
criminals in Kresimir Supek’s
futuristic short film about the nature of criminal rehabilitation, “An
Eye for An Eye” for the New York
Film Academy. Most recently, in March, she played Maria The Baker, a heartless money-grabbing killjoy, in the short
film
“Delphine, The Baker’s Assistant” by Lyndon Ives of Bingo Productions.
In February Silvana also set up her own
company, Siren Song Enterprise,
which premiered its first offering
“Mermaids”
at the Brighton Festival in May.